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서예교실
해서, 행서, 초서 강좌
행서 필법에 대한 단상
1. 가로획이 올라가는 이유 - 動的인 글씨로의 변화
2. 세로획만을 삐치는 이유 - 세로쓰기를 하기 때문(十)
3. 縱脈과 橫脈에 따른 서법의 차이- 한글과 한문으로 이해.
4. 두 점의 연결 - 靑에서 火 洋 善
5. 세 점의 연결 - 첫점은 고립, 둘째 셋째 점은 연결(1+2 : 氵三 學 眞 檢事 點 *泰)
6. 서체에 따른 丁의 갈고리 방향의 변화.
7. 情* 權, 木부의 가로획에 세로획의 만남 지점. 木의 사날 시작점
8. 山의 종획 방향
9. 종획의 節制美 - 王, 生
10. 세로획 나누기
해서의 필법 - 구양순체의 필법
歐體結構【進階】01 比例原則一 注意左右組合字的結構比例
https://www.youtube.com/watch?v=fYvpVfbihis
中国书法 - 行书入门 - Beginning Chinese Calligraphy: Running (Cursive) Script
書法家 張旭光
행서의 필법 - 尤酷 방송
行書的基本筆法和基本部件 老年書法講座第十講
초서의 필법
草書示範:出場序: 謝彩玉、麥正、蔡煥宏、梁燕萍 (高清)https://www.youtube.com/watch?v=twoy_zgYNkM
田英章弟子硬笔行书讲座05
https://www.youtube.com/watch?v=Vr8EWbdKqZM&t=397s
초민 박용설 선생의 서예관
Comments
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권상호
[点]如高峰之坠石。
[卧钩]似长空之初月。
[横]若千里之阵云。
[竖]如万岁之枯藤。
[斜钩]劲松倒折,落挂石崖。
[横折钩]如万钧之弩发。
[撇]利剑截断犀象之角牙。
[捺]一被常三过笔。
澄神静虑，端己正容，秉笔思生，临池志逸。虚拳直腕，指齐掌空，意在笔前，文向思后。分间布白，勿令偏侧。墨淡则伤神彩，绝浓必滞锋毫。肥则为钝，瘦则露骨，勿使伤于软弱，不须怒降为奇。四面停匀，八边具备，短长合度，粗细折中。心眼准程，疏密欹正。筋骨精神，随其大小。不可头轻尾重，无令左短右长，斜正如人，上称下载，东映西带，气宇融和，精神洒落，省此微言，孰为不可也。